Untold Histories

Comprising elements of the avant-garde, science fiction, cutting-edge hip-hop, black comix, and graphic novels, Afrofuturism spans both underground and mainstream pop culture. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and all social limitations to empower and free individuals to be themselves. This book introduces readers to the burgeoning artists creating Afrofuturist works, the history of innovators in the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and NK Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. Interviews with rappers, composers, musicians, singers, authors, comic illustrators, painters, and DJs, as well as Afrofuturist professors, provide a firsthand look at this fascinating movement.

NATIONAL BESTSELLER * An exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities--immigrant, female, Chinese, American. * NATIONAL BOOK CRITICS CIRCLE AWARD WINNER "A classic, for a reason." --Celeste Ng, bestselling author of Little Fires Everywhere and Our Missing Hearts, via Twitter As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's "talk stories." The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.

Bodies of Evidence: The Practice of Queer Oral History is the first book to provide serious scholarly insight into the methodological practices that shape lesbian, gay, bisexual, transgender, and queer oral histories. Each chapter pairs an oral history excerpt with an essay in which the oral historian addresses his or her methods and practices. With an afterword by John D'Emilio, this collection enables readers to examine the role memory, desire, sexuality, and gender play in documenting LGBTQ communities and cultures.The historical themes addressed include 1950s and '60s lesbian bar culture; social life after the Cuban revolution; the organization of transvestite social clubs in the U.S. midwest in the 1960s; Australian gay liberation activism in the 1970s; San Francisco electoral politics and the career of Harvey Milk; Asian American community organizing in pre-AIDS Los Angeles; lesbian feminist "sex war" cultural politics; 1980s and '90s Latina/o transgender community memory and activism in San Francisco; and the war in Iraq and Afghanistan. The methodological themes include questions of silence, sexual self-disclosure and voyeurism, the intimacy between researcher and narrator, and the social and political commitments negotiated through multiple oral history interviews. The book also examines the production of comparative racial and sexual identities and the relative strengths of same-sexuality, cross-sexuality, and cross-ideology interviewing.

WINNER, DZANC BOOKS SHORT STORY COLLECTION PRIZE WINNER, NARRATIVE MAGAZINE "TOP FIVE STORIES OF THE WEEK" FOR 2017 A woman grieves a miscarriage, haunted by the Buddha's birth. An artist with schizophrenia tries to survive hatred and indifference in small-town India by turning to the beauty of sculpture and dance. Orphans in India get pulled into a strange "rescue" mission aimed at stripping their mysterious powers. A brief but intense affair between two women culminates in regret and betrayal. A boy seeks memories of his sister in the legend of a woman who weds death. And fragments of history, from child brickmakers to slaves in Renaissance Portugal, are held up in brief fictions, burnished, made dazzling and unforgettable. In sixteen remarkable stories, Chaya Bhuvaneswar spotlights diverse women of color--cunning, bold, and resolute--facing sexual harassment and racial violence, and occasionally inflicting that violence on each other. Winner of the 2017 Dzanc Short Story Collection Prize,White Dancing Elephants marks the emergence of a new and original voice in fiction and explores feminist, queer, religious, and immigrant stories with precision, drama, and compassion.

Chicana Feminisms presents new essays on Chicana feminist thought by scholars, creative writers, and artists. This volume moves the field of Chicana feminist theory forward by examining feminist creative expression, the politics of representation, and the realities of Chicana life. Drawing on anthropology, folklore, history, literature, and psychology, the distinguished contributors combine scholarly analysis, personal observations, interviews, letters, visual art, and poetry. The collection is structured as a series of dynamic dialogues: each of the main pieces is followed by an essay responding to or elaborating on its claims. The broad range of perspectives included here highlights the diversity of Chicana experience, particularly the ways it is made more complex by differences in class, age, sexual orientation, language, and region. Together the essayists enact the contentious, passionate conversations that define Chicana feminisms. The contributors contemplate a number of facets of Chicana experience: life on the Mexico-U.S. border, bilingualism, the problems posed by a culture of repressive sexuality, the ranchera song, and domesticana artistic production. They also look at Chicana feminism in the 1960s and 1970s, the history of Chicanas in the larger Chicano movement, autobiographical writing, and the interplay between gender and ethnicity in the movie Lone Star. Some of the essays are expansive; others--such as Norma Cantú's discussion of the writing of her fictionalized memoir Canícula--are intimate. All are committed to the transformative powers of critical inquiry and feminist theory. Contributors. Norma Alarcón, Gabriela F. Arredondo, Ruth Behar, Maylei Blackwell, Norma E. Cantú, Sergio de la Mora, Ann duCille, Michelle Fine, Rosa Linda Fregoso, Rebecca M. Gámez, Jennifer González, Ellie Hernández, Aída Hurtado, Claire Joysmith, Norma Klahn, Amalia Mesa-Bains, Olga Nájera-Ramírez, Anna Nieto Gomez, Renato Rosaldo, Elba Rosario Sánchez, Marcia Stephenson, Jose Manuel Valenzuela, Patricia Zavella

Want to Better Understand Socialism? New York Magazine recommends The Meaning of Freedom What is the meaning of freedom? Angela Y. Davis' life and work have been dedicated to examining this fundamental question and to ending all forms of oppression that deny people their political, cultural, and sexual freedom. In this collection of twelve searing, previously unpublished speeches, Davis confronts the interconnected issues of power, race, gender, class, incarceration, conservatism, and the ongoing need for social change in the United States. With her characteristic brilliance, historical insight, and penetrating analysis, Davis addresses examples of institutional injustice and explores the radical notion of freedom as a collective striving for real democracy - not something granted or guaranteed through laws, proclamations, or policies, but something that grows from a participatory social process that demands new ways of thinking and being. "The speeches gathered together here are timely and timeless," writes Robin D.G. Kelley in the foreword, "they embody Angela Davis' uniquely radical vision of the society we need to build, and the path to get there." The Meaning of Freedom articulates a bold vision of the society we need to build and the path to get there. This is her only book of speeches. "Davis' arguments for justice are formidable. . . . The power of her historical insights and the sweetness of her dream cannot be denied."--The New York Times "One of America's last truly fearless public intellectuals." --Cynthia McKinney, former US Congresswoman "Angela Davis deserves credit, not just for the dignity and courage with which she has lived her life, but also for raising important critiques of a for-profit penitentiary system decades before those arguments gained purchase in the mainstream." --Thomas Chatterton Williams, SFGate "Angela Davis's revolutionary spirit is still strong. Still with us, thank goodness!" --Virginian-Pilot "Long before 'race/gender' became the obligatory injunction it is now, Angela Davis was developing an analytical framework that brought all of these factors into play. For readers who only see Angela Davis as a public icon . . . meet the real Angela Davis: perhaps the leading public intellectual of our era." --Robin D. G. Kelley author of Thelonious Monk: The Life and Times of an American Original "There was a time in America when to call a person an 'abolitionist' was the ultimate epithet. It evoked scorn in the North and outrage in the South. Yet they were the harbingers of things to come. They were on the right side of history. Prof. Angela Y. Davis stands in that proud, radical tradition." --Mumia Abu-Jamal, author of Jailhouse Lawyers: Prisoners Defending Prisoners v. the U.S.A. "Behold the heart and mind of Angela Davis, open, relentless, and on time!" --June Jordan

Bringing together classic and new writings of the trailblazing feminist theorist Chandra Talpade Mohanty, Feminism without Borders addresses some of the most pressing and complex issues facing contemporary feminism. Forging vital links between daily life and collective action and between theory and pedagogy, Mohanty has been at the vanguard of Third World and international feminist thought and activism for nearly two decades. This collection highlights the concerns running throughout her pioneering work: the politics of difference and solidarity, decolonizing and democratizing feminist practice, the crossing of borders, and the relation of feminist knowledge and scholarship to organizing and social movements. Mohanty offers here a sustained critique of globalization and urges a reorientation of transnational feminist practice toward anticapitalist struggles. Feminism without Borders opens with Mohanty's influential critique of western feminism ("Under Western Eyes") and closes with a reconsideration of that piece based on her latest thinking regarding the ways that gender matters in the racial, class, and national formations of globalization. In between these essays, Mohanty meditates on the lives of women workers at different ends of the global assembly line (in India, the United Kingdom, and the United States); feminist writing on experience, identity, and community; dominant conceptions of multiculturalism and citizenship; and the corporatization of the North American academy. She considers the evolution of interdisciplinary programs like Women's Studies and Race and Ethnic Studies; pedagogies of accommodation and dissent; and transnational women's movements for grassroots ecological solutions and consumer, health, and reproductive rights. Mohanty's probing and provocative analyses of key concepts in feminist thought--"home," "sisterhood," "experience," "community"--lead the way toward a feminism without borders, a feminism fully engaged with the realities of a transnational world.

Twenty-five years after Margaret Busby's historical Daughters of Africa was published to international acclaim - this companion volume brings together the words of writers from across the globe - Antigua to Zimbabwe, Angola to the USA - to honour a unifying heritage while showing the remarkable range of creativity from the African diaspora. Arranged chronologically, New Daughters of Africa illustrates an uplifting sense of sisterhood and the links that endure from generation to generation, as well as common obstacles writers still negotiate around issues of race, gender and class.

In this groundbreaking William C. Morris Award winner for a YA debut, Gabi's life is a mess--her family, her friends, her attempts at a love life--but writing helps, especially since it turns out she's pretty good at poetry. Gabi Hernandez chronicles her last year of high school in her diary: college applications, Cindy's pregnancy, Sebastian's coming out, the cute boys, her father's meth habit, and the food she craves. And best of all, the poetry that helps forge her identity. July 24 My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up. So now, every time I go out with a guy, my mom says, "Ojos abiertos, piernas cerradas." Eyes open, legs closed. That's as far as the birds and the bees talk has gone. And I don't mind it. I don't necessarily agree with that whole wait until you're married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can't tell my mom that because she will think I'm bad. Or worse: trying to be White.

On March 1, 1966, the voters of Tucson approved the Pueblo Center Redevelopment Project--Arizona's first major urban renewal project--which targeted the most densely populated eighty acres in the state. For close to one hundred years, tucsonenses had created their own spatial reality in the historical, predominantly Mexican American heart of the city, an area most called "la calle." Here, amid small retail and service shops, restaurants, and entertainment venues, they openly lived and celebrated their culture. To make way for the Pueblo Center's new buildings, city officials proceeded to displace la calle's residents and to demolish their ethnically diverse neighborhoods, which, contends Lydia Otero, challenged the spatial and cultural assumptions of postwar modernity, suburbia, and urban planning. Otero examines conflicting claims to urban space, place, and history as advanced by two opposing historic preservationist groups: the La Placita Committee and the Tucson Heritage Foundation. Otero gives voice to those who lived in, experienced, or remembered this contested area, and analyzes the historical narratives promoted by Anglo American elites in the service of tourism and cultural dominance. La Calle explores the forces behind the mass displacement: an unrelenting desire for order, a local economy increasingly dependent on tourism, and the pivotal power of federal housing policies. To understand how urban renewal resulted in the spatial reconfiguration of downtown Tucson, Otero draws on scholarship from a wide range of disciplines: Chicana/o, ethnic, and cultural studies; urban history, sociology, and anthropology; city planning; and cultural and feminist geography.

Prison Industrial Complex For Beginners is a graphic narrative project that attempts to distill the fundamental components of what scholars, activists, and artists have identified as the Mass Incarceration movement in the United States. Since the early 1990s, activist critics of the US prison system have marked its emergence as a complex" in a manner comparable to how President Eisenhower described the Military Industrial Complex. Like its institutional "cousin," the Prison Industrial Complex features a critical combination of political ideology, far-reaching federal policy, and the neo-liberal directive to privatize institutions traditionally within the purview of the government. The result is that corporations have capitalincentives to capture and contain human bodies. The Prison Industrial Complex relies on the "law and order" ideology fomented by President Nixon and developed at least partially in response to the unrest generated through the Civil Rights Movement. It is (and has been) enhanced and emboldened via the US "war on drugs," a slate of policies that by any account have failed to do anything except normalize the warehousing of nonviolent substance abusers in jails and prisons that serve more as criminal training centers then as redemptive spacesfor citizens who might re-enter society successfully. Prison Industrial Complex For Beginners is a primer for how these issues emerged and how our awareness of the systems at work in mass incarceration might be the very first step in reforming an institution responsible for some of our most egregious contemporary civil rights violations. "

The first Navajo woman surgeon combines western medicine and traditional healing. A spellbinding journey between two worlds, this remarkable book describes surgeon Lori Arviso Alvord's struggles to bring modern medicine to the Navajo reservation in Gallup, New Mexico--and to bring the values of her people to a medical care system in danger of losing its heart. Dr. Alvord left a dusty reservation in New Mexico for Stanford University Medical School, becoming the first Navajo woman surgeon. Rising above the odds presented by her own culture and the male-dominated world of surgeons, she returned to the reservation to find a new challenge. In dramatic encounters, Dr. Alvord witnessed the power of belief to influence health, for good or for ill. She came to merge the latest breakthroughs of medical science with the ancient tribal paths to recovery and wellness, following the Navajo philosophy of a balanced and harmonious life, called Walking in Beauty. And now, in bringing these principles to the world of medicine, The Scalpel and the Silver Bear joins those few rare works, such as Healing and the Mind, whose ideas have changed medical practices-and our understanding of the world.

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

Finalist for the National Book Award for Poetry Winner of the Forward Prize for Best Collection "[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy."--The New Yorker Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power.Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality--the dangers experienced in skin and body and blood--and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, "some of us all at once."Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

The reissue of this classic manga's first volume has impeccable timing. It recounts the bombing of Hiroshima from the perspective of a young boy, Gen, and his family. But the book's themes (the physical and psychological damage ordinary people suffer from war's realities) ring chillingly true today. Despite its harrowing nature, this work is invaluable for the lessons it offers in history, humanity and compassion. Published to coincide with the 60th anniversary of the Hiroshima bombing.

On any given day in Arizona, thousands of Mexican-descent workers labor to make living in urban and rural areas possible. The majority of such workers are largely invisible. Their work as caretakers of children and the elderly, dishwashers or cooks in restaurants, and hotel housekeeping staff, among other roles, remains in the shadows of an economy dependent on their labor. Mexican Workers and the Making of Arizona centers on the production of an elastic supply of labor, revealing how this long-standing approach to the building of Arizona has obscured important power relations, including the state's favorable treatment of corporations vis-à-vis workers. Building on recent scholarship about Chicanas/os and others, the volume insightfully describes how U.S. industries such as railroads, mining, and agriculture have fostered the recruitment of Mexican labor, thus ensuring the presence of a surplus labor pool that expands and contracts to accommodate production and profit goals. The volume's contributors delve into examples of migration and settlement in the Salt River Valley; the mobilization and immobilization of cotton workers in the 1920s; miners and their challenge to a dual-wage system in Miami, Arizona; Mexican American women workers in midcentury Phoenix; the 1980s Morenci copper miners' strike and Chicana mobilization; Arizona's industrial and agribusiness demands for Mexican contract labor; and the labor rights violations of construction workers today. Mexican Workers and the Making of Arizona fills an important gap in our understanding of Mexicans and Mexican Americans in the Southwest by turning the scholarly gaze to Arizona, which has had a long-standing impact on national policy and politics.

A MEMOIR BY THE YOUNGEST RECIPIENT OF THE NOBEL PEACE PRIZE As seen on Netflix with David Letterman "I come from a country that was created at midnight. When I almost died it was just after midday." When the Taliban took control of the Swat Valley in Pakistan, one girl spoke out. Malala Yousafzai refused to be silenced and fought for her right to an education. On Tuesday, October 9, 2012, when she was fifteen, she almost paid the ultimate price. She was shot in the head at point-blank range while riding the bus home from school, and few expected her to survive. Instead, Malala's miraculous recovery has taken her on an extraordinary journey from a remote valley in northern Pakistan to the halls of the United Nations in New York. At sixteen, she became a global symbol of peaceful protest and the youngest nominee ever for the Nobel Peace Prize. I AM MALALA is the remarkable tale of a family uprooted by global terrorism, of the fight for girls' education, of a father who, himself a school owner, championed and encouraged his daughter to write and attend school, and of brave parents who have a fierce love for their daughter in a society that prizes sons. I AM MALALA will make you believe in the power of one person's voice to inspire change in the world.

This groundbreaking collection reflects an uncompromised definition of feminism by women of color. 65,000 copies in print.

By the time Rock Hudson's death in 1985 alerted all America to the danger of the AIDS epidemic, the disease had spread across the nation, killing thousands of people and emerging as the greatest health crisis of the 20th century. America faced a troubling question: What happened? How was this epidemic allowed to spread so far before it was taken seriously? In answering these questions, Shilts weaves weaves the disparate threads into a coherent story, pinning down every evasion and contradiction at the highest levels of the medical, political, and media establishments. Shilts shows that the epidemic spread wildly because the federal government put budget ahead of the nation's welfare; health authorities placed political expediency before the public health; and scientists were often more concerned with international prestige than saving lives. Against this backdrop, Shilts tells the heroic stories of individuals in science and politics, public health and the gay community, who struggled to alert the nation to the enormity of the danger it faced. "And the Band Played On "is both a tribute to these heroic people and a stinging indictment of the institutions that failed the nation so badly.

After dark in a Mexican border town, a father holds open a hole in a wire fence as his wife and two small boys crawl through. So begins life in the United States for many people every day. And so begins this collection of twelve autobiographical stories by Santa Clara University professor Francisco Jiménez, who at the age of four illegally crossed the border with his family in 1947. "The Circuit," the story of young Panchito and his trumpet, is one of the most widely anthologized stories in Chicano literature. At long last, Jiménez offers more about the wise, sensitive little boy who has grown into a role model for subsequent generations of immigrants. These independent but intertwined stories follow the family through their circuit, from picking cotton and strawberries to topping carrots--and back again--over a number of years. As it moves from one labor camp to the next, the little family of four grows into ten. Impermanence and poverty define their lives. But with faith, hope, and back-breaking work, the family endures. "A jewel of a book"--Rolando Hinojosa-Smith "These stories are so realistic they choke the heart."--Rudolfo Anaya

Contemporary Native women speak out in this collection of stories.

NATIONAL BOOK AWARD WINNER * NEW YORK TIMES BESTSELLER * The acclaimed author of Red at the Bone tells the moving story of her childhood in mesmerizing poems. A NEWBERY HONOR BOOK * WINNER OF THE CORETTA SCOTT KING BOOK AWARD * A KIRKUS REVIEWS BEST MIDDLE GRADE BOOK OF THE CENTURY "Moving and resonant . . . captivating."--The Wall Street Journal I am born in Ohio but the stories of South Carolina already run like rivers through my veins. Raised in South Carolina and New York, Jacqueline Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 70s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, providing a glimpse into a child's soul as she finds her voice through writing and searches for her place in the world. Teeming with feeling and deeply personal, Brown Girl Dreaming is the groundbreaking chronicle of Woodson's journey to storytelling, and a beautiful portrayal of physical, emotional, and spiritual growth.

In A Long Way Gone, Ishmael Beah tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. My new friends have begun to suspect I haven't told them the full story of my life. "Why did you leave Sierra Leone?" "Because there is a war." "You mean, you saw people running around with guns and shooting each other?" "Yes, all the time." "Cool." I smile a little. "You should tell us about it sometime." "Yes, sometime." This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.

The only thing more beautiful than Beyoncé is God,and God is a black woman sipping rosé and drawing alavender bath, texting her mom, belly-laughing in thetherapist's office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersectionsof vulnerability and performance, of desire and disgust,of tragedy and excellence. Unrelentingly feminist,tender, ruthless, and sequined, these poems are an altarto the complexities of black American womanhood inan age of non-indictments and deja vu, and a time ofwars over bodies and power. These poems celebrate andmourn. They are a chorus chanting: You're gonna giveus the love we need.

Ntozake Shange's classic, award-winning play encompassing the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award-winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange's words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for "encompassing...every feeling and experience a woman has ever had," for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

One of The New York Times Book Review's 10 Best Books of the Year On the morning of December 26, 2004, on the southern coast of Sri Lanka, Sonali Deraniyagala lost her parents, her husband, and her two young sons in the tsunami she miraculously survived. In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as she struggles through the first months following the tragedy, furiously clenched against a reality that she cannot face and cannot deny; and then, over the ensuing years, as she emerges reluctantly, slowly allowing her memory to take her back through the rich and joyous life she's mourning, from her family's home in London, to the birth of her children, to the year she met her English husband at Cambridge, to her childhood in Colombo; all the while learning the difficult balance between the almost unbearable reminders of her loss and the need to keep her family, somehow, still alive within her.

From an acclaimed playwright comes "an American masterpiece" (Newsweek) about the 1992 Los Angeles riots. Twilight is a stunning work of "documentary theater" that explores the devastating human impact of the five days of riots following the Rodney King verdict. From nine months of interviews with more than two hundred people, Smith has chosen the voices that best reflect the diversity and tension of a city in turmoil: a disabled Korean man, a white male Hollywood talent agent, a Panamanian immigrant mother, a teenage black gang member, a macho Mexican-American artist, Rodney King's aunt, beaten truck driver Reginald Denny, former Los Angeles police chief Daryl Gates, and other witnesses, participants, and victims. A work that goes directly to the heart of the issues of race and class, Twilight ruthlessly probes the language and the lives of its subjects, offering stark insight into the complex and pressing social, economic, and political issues that fueled the flames in the wake of the Rodney King verdict and ignited a conversation about policing and race that continues today.

A New York Times bestseller--over 1 million copies sold!   A National Book Award winner A Boston Globe-Horn Book Award winner Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and black-and-white interior art throughout, this edition is perfect for fans and collectors alike.

It begins with a birth in 1750, in an African village; it ends seven generations later at the Arkansas funeral of a black professor whose children are a teacher, a Navy architect, an assistant director of the U.S. Information Agency, and an author. The author is Alex Haley. This magnificent book is his.

Young, urban Natives powerfully show how their culture and values can survive--and enrich--city life. Much of the popular discourse on Native Americans and Aboriginals focuses on reservation life. But the majority of Natives in North America live off the rez. How do they stay rooted to their culture? How do they connect with their community? Urban Tribes offers unique insight into this growing and often misperceived group. Emotionally potent and visually arresting, the anthology profiles young urban Natives from across North America, exploring how they connect with Native culture and values in their contemporary lives. Their stories are as diverse as they are. From a young Dene woman pursuing a MBA at Stanford to a Pima photographer in Phoenix to a Mohawk actress in New York, these urban Natives share their unique perspectives to bridge the divide between their past and their future, their cultural home, and their adopted cities. Unflinchingly honest and deeply moving, contributors explore a wide-range of topics. From the trials and tribulations of dating in the city to the alienating experience of leaving a remote reserve to attend high school in the city, from the mainstream success of Electric Pow wow music to the humiliation of dealing with racist school mascots, personal perspectives illuminate larger political issues. An innovative and highly visual design offers a dynamic, reading experience.

Jeanne Wakatsuki was seven years old in 1942 when her family was uprooted from their home and sent to live at Manzanar internment camp--with 10,000 other Japanese Americans. Along with searchlight towers and armed guards, Manzanar ludicrously featured cheerleaders, Boy Scouts, sock hops, baton twirling lessons and a dance band called the Jive Bombers who would play any popular song except the  nation's #1 hit: "Don't Fence Me In." Farewell to Manzanaris the true story of one spirited Japanese-American family's attempt to survive the indignities of forced detention . . . and of a native-born American child who discovered what it was like to grow up behind barbed wire in the United States.

This is the powerful autobiography of Mary Brave Bird, who grew up in the misery of a South Dakota reservation. Rebelling against the violence and hopelessness of reservation life, she joined the tribal pride movement in an effort to bring about much-needed changes. Now a major movie from TNT. Photos.

The story of how young Arab and Muslim Americans are forging lives for themselves in a country that often mistakes them for the enemy Arab and Muslim Americans are the new, largely undiscussed aproblema of American society, their lives no better understood than those of African Americans a century ago. Under the cover of the terrorist attacks, the wars in Afghanistan and Iraq, and the explosion of political violence around the world, a fundamental misunderstanding of the Arab and Muslim American communities has been allowed to fester and even to define the lives of the seven twentysomething men and women whom we meet in this book. Their names are Rami, Sami, Akram, Lina, Yasmin, Omar, and Rasha, and they all live in Brooklyn, New York, which is home to the largest number of Arab Americans in the United States. We meet Sami, an Arab American Christian, who navigates the minefield of associations the public has of Arabs as well as the expectations that Muslim Arab Americans have of him as a marine who fought in the Iraq war. And Rasha, who, along with her parents, sister, and brothers, was detained by the FBI in a New Jersey jail in early 2002. Without explanation, she and her family were released several months later. As drama of all kinds swirls around them, these young men and women strive for the very things the majority of young adults desire: opportunity, marriage, happiness, and the chance to fulfill their potential. But what they have now are lives that are less certain, and more difficult, than they ever could have imagined: workplace discrimination, warfare in their countries of origin, government surveillance, the disappearance of friends or family, threats ofvigilante violence, and a host of other problems that thrive in the age of terror. And yet How Does It Feel to Be a Problem? takes the raw material of their struggle and weaves it into an unforgettable, and very American, story of promise and hope. In prose that is at once blunt and lyrical, Moustafa Bayoumi allows us to see the world as these men and women do, revealing a set of characters and a place that indelibly change the way we see the turbulent past and yet still hopeful future of this country.

Whenever we imagine a world without war or injustice, we are engaging in speculative fiction. Radicals and activists devote their lives to envisioning such worlds, and then go about trying to create them. This collection brings together 20 such stories, as well as essays by Tananarive Due and Mumia Abu-Jamal. Named for the great Octavia Butler, giant of science fiction and a rare woman of colour in her field, this engaging and enlightening collection is the first book to explore the connections between radical science fiction and movements for social change.

For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

A NEW YORK TIMES BESTSELLER! Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat--by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them--everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes. When the six are together, they can express the feelings and fears they have to hide from the rest of the world. And together, they can grow braver and more ready for the rest of their lives.

Winner of the National Book Critics Circle Award for NonfictionWhen three-month-old Lia Lee Arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run "Quiet War" in Laos. The Hmong, traditionally a close-knit and fiercely people, have been less amenable to assimilation than most immigrants, adhering steadfastly to the rituals and beliefs of their ancestors. Lia's pediatricians, Neil Ernst and his wife, Peggy Philip, cleaved just as strongly to another tradition: that of Western medicine. When Lia Lee Entered the American medical system, diagnosed as an epileptic, her story became a tragic case history of cultural miscommunication.Parents and doctors both wanted the best for Lia, but their ideas about the causes of her illness and its treatment could hardly have been more different. The Hmong see illness aand healing as spiritual matters linked to virtually everything in the universe, while medical community marks a division between body and soul, and concerns itself almost exclusively with the former. Lia's doctors ascribed her seizures to the misfiring of her cerebral neurons; her parents called her illness, qaug dab peg - the spirit catches you and you fall down - and ascribed it to the wandering of her soul. The doctors prescribed anticonvulsants; her parents preferred animal sacrifices.

Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness.

¡Cuéntamelo! Oral Histories by LGBT Latino Immigrants began as a cover story for  SF Weekly, and, eventually in 2014 with local grant support, Lopera was able to self publish. The first edition of 300 books sold out within a week. In addition to beautiful black and white drawings of the contributors by artist Laura Cerón Melo, this edition features a number of candid earlier photographs of several of the contributors, as well as a new introduction from Julián. ¡Cuéntamelo!  is "[a] stunning collection of bilingual oral histories and illustrations by LGBT Latinx immigrants who arrived in the U.S. during the 80s and 90s. Stories of repression in underground Havana in the 60s; coming out trans in Catholic Puerto Rico in the 80s; Scarface, female impersonators, Miami and the 'boat people'; San Francisco's underground Latinx scene during the 90s and more."  ¡Cuéntamelo! is bilingual. All stories in this book have both an English and Spanish version. Full of humor and heart - the oral histories collected here speak of exilio and gentrification, bad tricks and forever friendships, hoped for memories and forgotten utopias. This is queer latinidad in all of her salty glory, spilling tales wrapped in glitter and grime, urgent stories that capture your spirit and don't let go. This book is a must-read for anyone interested in real-world accounts of the quotidian cruelties and unexpected pleasures of immigrant latinx queers remaking community,sex, politics, culture, and themselves. - Juana María Rodríguez  Contributors include: Adela Vázquez, Alexandra Cruz, Manuel Rodríguez Cruz, Marlen Hernández, Carlos Sayán Wong, Mahogany Sánchez, Nelson D'Alerta (Catherine White)

Unspeakable Violence addresses the epistemic and physical violence inflicted on racialized and gendered subjects in the U.S.-Mexico borderlands from the mid-nineteenth century through the early twentieth. Arguing that this violence was fundamental to U.S., Mexican, and Chicana/o nationalisms, Nicole M. Guidotti-Hernández examines the lynching of a Mexican woman in California in 1851, the Camp Grant Indian Massacre of 1871, the racism evident in the work of the anthropologist Jovita González, and the attempted genocide, between 1876 and 1907, of the Yaqui Indians in the Arizona-Sonora borderlands. Guidotti-Hernández shows that these events have been told and retold in ways that have produced particular versions of nationhood and effaced other issues. Scrutinizing stories of victimization and resistance, and celebratory narratives of mestizaje and hybridity in Chicana/o, Latina/o, and borderlands studies, she contends that by not acknowledging the racialized violence perpetrated by Mexicans, Chicanas/os, and indigenous peoples, as well as Anglos, narratives of mestizaje and resistance inadvertently privilege certain brown bodies over others. Unspeakable Violence calls for a new, transnational feminist approach to violence, gender, sexuality, race, and citizenship in the borderlands.

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it-- He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

New to the distinguished heritage of Latino literature is Virgins, Guerillas and Locas, a new collection of writings--many never before published--by twenty-one outstanding contemporary gay Latino authors. From a Virgin of Guadalupe sighting by a cholo junkie to a queer boy being sweetly broken into the world of love by his doting biker father; from two lovers with physical disabilities discovering new means of nonverbal communication to the picaresque romp of three cha cha queens at the Bronx Zoo: Virgins, Guerillas and Locas explores the life and loves of gay Latino men with humor, candor, and affection.

In the vein of Tuesdays with Morrie, a devoted student and friend of Holocaust survivor and Nobel Peace Prize recipient Elie Wiesel invites readers to witness one of the world's greatest thinkers in his own classroom in this instructive and deeply moving read, a National Jewish Book Award-winner. The world remembers Elie Wiesel (1928-2016) as a Nobel laureate, activist, and author of more than forty books, including Oprah's Book Club selection Night. Ariel Burger met Wiesel when he was a teenage student, eager to learn Wiesel's life lessons. Witness chronicles the intimate conversations between these two men as Burger sought Wiesel's counsel on matters of intellect, faith, and survival while navigating his own personal journey from boyhood to manhood, from student and assistant to rabbi and teacher. In this thought-provoking account, Burger brings the spirit of Wiesel's classroom to life, where the art of storytelling and the act of listening conspire to make witnesses of us all--as it does for readers of this inspiring book as well.

A new translation from the French by Marion Wiesel. Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man. Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

"A debut poetry collection showcasing both a fierce and tender new voice."--Booklist "Elegant and playful . . . The poet invents new forms and updates classic ones."--Elle "[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible."--The New Yorker NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY  an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case. From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people's histories with her own understanding of identity, place, and belonging. Praise for If They Come for Us   "In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as 'Boy,' whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss."--The New Yorker   "This summer, [Asghar's] debut poetry collection cemented her status as one of the city's greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems--both personal and historical, both celebratory and aggrieved--are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud."--Chicago Review of Books  "Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful."--Library Journal (starred review)

Finalist for the National Book Award for Poetry WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don't worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father's language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. --from "WHEREAS Statements" WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation--and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live." This strident, plaintive book introduces a major new voice in contemporary literature.

A new account of the formation of sexual identity, coined 'emerged fusion', which avoids the traps of the essentialism versus constructivism debate, and offers a viable third alternative. This book is a theoretical tool that will be useful in sociology, queer studies, and gender studies as a new approach to understanding sexual identity.

Not Here is a flight plan for escape and a map for navigating home; a queer Vietnamese American body in confrontation with whiteness, trauma, family, and nostalgia; and a big beating heart of a book. Nguyen's poems ache with loneliness and desire and the giddy terrors of allowing yourself to hope for love, and revel in moments of connection achieved.

One of the most celebrated poetry books of the year: The New Yorker, The Best Books of Poetry of 2016 New York Times, Critics Pick Boston Globe, Best Books listing NPR, Best Books listing Miami Herald, Best LGBTQ Books San Francisco Chronicle, Top 100 Books of the Year Library Journal, Best Books of 2016 Michiko Kakutani inThe New York Times writes: "The poems in Mr. Vuong''s new collection,Night Sky With Exit Wounds...possess a tensile precision reminiscent of Emily Dickinson''s work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words. Mr. Vuong can create startling images (a black piano in a field, a wedding-cake couple preserved under glass, a shepherd stepping out of a Caravaggio painting) and make the silences and elisions in his verse speak as potently as his words...There is a powerful emotional undertow to these poems that springs from Mr. Vuong''s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things." "Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion."--The New Yorker "The language is painfully, exquisitely exact, the scenes haunting and indelible.... Highly recommended."--Library Journal, starred review "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."--Buzzfeed''s "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world."--2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."--LitHub "Vuong''s powerful voice explores passion, violence, history, identity--all with a tremendous humanity."--Slate "In his impressive debut collection, Vuong writes beauty into--and culls from--individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity."--Publishers Weekly Torso of Air Suppose you do change your life. & the body is more than a portion of night--sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side-- waiting. Born in Saigon, Vietnam,Ocean Vuongattended Brooklyn College. He is the author of two chapbooks as well as a full-length collection,Night Sky with Exit Wounds. A Ruth Lilly Fellow and winner of the Whiting Award, Ocean Vuong lives in New York City.

The first of its kind, Troubling the Line: Trans and Genderqueer Poetry and Poetics, gathers together a diverse range of 55 poets with varying aesthetics and backgrounds. In addition to generous samples of poetry by each trans writer, the book also includes "poetics statements"--reflections by each poet that provide context for their work covering a range of issues from identification and embodiment to language and activism. Poets include Samuel Ace, Julian Talamantez Brolaski, Micha Cardenas, kari edwards, Duriel Harris, Joy Ladin, Dawn Lundy Martin, Eileen Myles, Trish Salah, Max Wolf Valerio, John Wieners, Kit Yan, and more.

This fiercely satirical, semifantastical novel ... features an Asian-American television news executive, Emi, and a Latino newspaper reporter, Gabriel, who are so focused on chasing stories they almost don't notice that the world is falling apart all around them. Karen Tei Yamashita's staccato prose works well to evoke the frenetic breeziness and monumental self-absorption that are central to their lives.-Janet Kaye,The New York Times Book Review

Like the typewriter and the light bulb, the heterosexual was invented in the 1860s and swiftly transformed Western culture. The idea of "the heterosexual" was unprecedented. After all, men and women had been having sex, marrying, building families, and sometimes even falling in love for millennia without having any special name for their emotions or acts. Yet, within half a century, "heterosexual" had become a byword for "normal," enshrined in law, medicine, psychiatry, and the media as a new gold standard for human experience. With an eclectic scope and fascinating detail, Straight tells the eye-opening story of a complex and often contradictory man-made creation that turns out to be anything but straight or narrow.

n May of 2012, Janine di Giovanni travelled to Syria. It would mark the beginning of a long relationship with the country, starting with her coverage of the peaceful uprising and continuing as the situation quickly turned into one of the most brutal, internecine conflicts in recent history. Drawn to the stories of the ordinary people caught up in the conflict, Syria came to consume her every moment, her every emotion.

Speaking to those directly involved in the war, di Giovanni relays here the personal stories of rebel fighters thrown in jail at the least provocation; of children and families forced to watch loved ones taken and killed by regime forces with dubious justifications; and the stories of the elite, holding pool parties in Damascus hotels, trying to deny the human consequences of the nearby shelling.

Delivered with passion, fearlessness and sensitivity, The Morning They Came For Us is an unflinching account of a nation on the brink of disintegration, charting an apocalyptic but at times tender story of life in a jihadist war – and an unforgettable testament to human resilience in the face of devastating, unimaginable horrors.

A different look at heterosexuality in the twenty-first century A straight white girl can kiss a girl, like it, and still call herself straight--her boyfriend may even encourage her. But can straight white guys experience the same easy sexual fluidity, or would kissing a guy just mean that they are really gay? Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: there's fraternity and military hazing rituals, where new recruits are made to grab each other's penises and stick fingers up their fellow members' anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men. For Jane Ward, these sexual practices reveal a unique social space where straight white men can--and do--have sex with other straight white men; in fact, she argues, to do so reaffirms rather than challenges their gender and racial identity. Ward illustrates that sex between straight white men allows them to leverage whiteness and masculinity to authenticate their heterosexuality in the context of sex with men. By understanding their same-sex sexual practice as meaningless, accidental, or even necessary, straight white men can perform homosexual contact in heterosexual ways. These sex acts are not slippages into a queer way of being or expressions of a desired but unarticulated gay identity. Instead, Ward argues, they reveal the fluidity and complexity that characterizes all human sexual desire. In the end, Ward's analysis offers a new way to think about heterosexuality--not as the opposite or absence of homosexuality, but as its own unique mode of engaging in homosexual sex, a mode characterized by pretense, dis-identification and racial and heterosexual privilege. Daring, insightful, and brimming with wit, Not Gay is a fascinating new take on the complexities of heterosexuality in the modern era.

In clear, dark, resonant language, Nobel Prize winner Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people. Unabridged. 5 CDs.

Previously hard-to-find information on homosexuality in early America--now in a convenient single volume! Few of us are familiar with the gay men on General Washington's staff or among the leaders of the new republic. Now, in the same way that Alex Haley's Roots provided a generation of African Americans with an appreciation of their history, Male-Male Intimacy in Early America: Beyond Romantic Friendships will give many gay readers their first glimpse of homosexuality as a theme in early American history. Honored as a 2007 Stonewall Book Award nonfiction selection, Male-Male Intimacy in Early America is the first book to provide a comprehensive overview of the role of homosexual activity among American men in the early years of American history. This single source brings together information that has until now been widely scattered in journals and distant archives. The book draws on personal letters, diaries, court records, and contemporary publications to examine the role of homosexual activity in the lives of American men in the Colonial period and in the early years of the new republic. The author scoured research that was published in contemporary journals and also conducted his own research in over a dozen US archives, ranging from the Library of Congress to the Huntington Library, from the United Military Academy Archives to the Missouri Historical Society. Male-Male Intimacy in Early America explores: the role of the open frontier and the unregulated seas as places of refuge for men who would not enter into heterosexual relationships the sexual lives of American Indians--particularly the berdache tradition--and how the stereotypes associated with American Indian sexuality molded white America's attitudes toward homosexuality homosexuality in slave narratives--and the homosexual subtexts of racist minstrel show lyrics the formation of European gay communities during American colonial times, with an emphasis on Berlin, Paris, and London--with English translations of material previously available only in German or French! homosexuality as presented in eighteenth-century novels popular with American readers, plus information on homosexuality that was published in medical treatises of the period United States Army and Navy courts-martial that focused on sodomy the sublimation of homosexuality by religious revival movements of the early nineteenth century, particularly among Quakers, Mormons, and Oneida Perfectionists social groups as a perceived cover for homosexual activity, with an emphasis on the Masonic Order non-procreative sexuality as a theme and as a threat during the American revolution the West in American literary tradition--and the role of popular writers such as James Fenimore Cooper and Davy Crockett in creating the myth of individual sexual freedom on the margins of American society Author William Benemann rejects Foucault's contention that homosexuality is an artificial construct created by medico-legal authorities in the latter half of the nineteenth century. He recognizes that men have been sexually attracted to other men throughout American history, and in this book, examines their historical options for expressing that attraction. He also addresses related issues surrounding race and gender expectations, population and migration patterns, vocational choice, and information exchange. Written in a straightforward style that can easily be understood by lay readers, Male-Male Intimacy in Early America is an ideal choice for educators, students, and individuals interested in this unexplored area of American history and sexuality studies.

#1 NEW YORK TIMES BESTSELLER * "The story of modern medicine and bioethics--and, indeed, race relations--is refracted beautifully, and movingly."--Entertainment Weekly NOW A MAJOR MOTION PICTURE FROM HBO® STARRING OPRAH WINFREY AND ROSE BYRNE * ONE OF THE "MOST INFLUENTIAL" (CNN), "DEFINING" (LITHUB), AND "BEST" (THE PHILADELPHIA INQUIRER) BOOKS OF THE DECADE * ONE OF ESSENCE'S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS * WINNER OF THE CHICAGO TRIBUNE HEARTLAND PRIZE FOR NONFICTION * A KIRKUS REVIEWS BEST NONFICTION BOOK OF THE CENTURY A BEST BOOK OF THE YEAR: The New York Times Book Review, Entertainment Weekly, O: The Oprah Magazine, NPR, Financial Times, New York, Independent (U.K.), Times (U.K.), Publishers Weekly, Library Journal, Kirkus Reviews, Booklist, Globe and Mail Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells--taken without her knowledge--became one of the most important tools in medicine: The first "immortal" human cells grown in culture, which are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb's effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave. Henrietta's family did not learn of her "immortality" until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family--past and present--is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of. Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family--especially Henrietta's daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn't her children afford health insurance? Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.

Set over the course of 24 hours, Last Round At Guapa follows Rasa, a gay man living in an unnamed Arab country trying to carve out a life for himself in the midst of political and religious upheaval. Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. Then one morning Rasa's grandmother, the woman who raised him, catches them in bed together?

"This is a story of two battles, a battle to keep out 'the world' and a battle to join it." She inhabits a place of chaos, cacophony, and dancing light--where physical contact is painful and sights and sounds have no meaning. Although labeled, at times, deaf, retarded, or disturbed, Donna Williams is autistic--afflicted by a baffling condition of heightened sensory perception that imprisons the sufferer in a private, almost hallucinatory universe of patterns and colors. Nobody Nowhere is Donna's story in her own words--a haunting, courageous memoir of the titanic struggles she has endured in her quest to merge "my world" with "the world."

An astounding new work by the author of The Mind Tree that offers a rare insight into the autistic mind and how it thinks, sees, and reacts to the world.

In this poetic memoir, which won the Pura Belpré Author Award, was a YALSA Nonfiction Finalist, and was named a Walter Dean Myers Award Honoree, acclaimed author Margarita Engle tells of growing up as a child of two cultures during the Cold War. Margarita is a girl from two worlds. Her heart lies in Cuba, her mother's tropical island country, a place so lush with vibrant life that it seems like a fairy tale kingdom. But most of the time she lives in Los Angeles, lonely in the noisy city and dreaming of the summers when she can take a plane through the enchanted air to her beloved island. Words and images are her constant companions, friendly and comforting when the children at school are not. Then a revolution breaks out in Cuba. Margarita fears for her far-away family. When the hostility between Cuba and the United States erupts at the Bay of Pigs Invasion, Margarita's worlds collide in the worst way possible. How can the two countries she loves hate each other so much? And will she ever get to visit her beautiful island again?

A powerful and visually stunning anthology from some of the most groundbreaking Native artists working in North America today. Truly universal in its themes, Dreaming In Indian will shatter commonly held stereotypes and challenge readers to rethink their own place in the world. Divided into four sections, 'Roots,' 'Battles,' 'Medicines,' and 'Dreamcatchers,' this book offers readers a unique insight into a community often misunderstood and misrepresented by the mainstream media. Emerging and established Native artists, including acclaimed author Joseph Boyden, renowned visual artist Bunky Echo Hawk, and stand-up comedian Ryan McMahon, contribute thoughtful and heartfelt pieces on their experiences growing up Indigenous, expressing them through such mediums as art, food, the written word, sport, dance, and fashion. Renowned chef Aaron Bear Robe, for example, explains how he introduces restaurant customers to his culture by reinventing traditional dishes. And in a dramatic photo spread, model Ashley Callingbull and photographer Thosh Collins reappropriate the trend of wearing 'Native' clothing. Whether addressing the effects of residential schools, calling out bullies through personal manifestos, or simply citing hopes for the future, Dreaming In Indian refuses to shy away from difficult topics. Insightful, thought-provoking, and beautifully honest, this book will to appeal to young adult readers. An innovative and captivating design enhances each contribution and makes for a truly unique reading experience.

" . . . methodologically innovative . . . precise and perceptive and conscious . . . " --Text and Performance Quarterly "Woman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." --Chandra Talpade Mohanty "The idea of Trinh T. Minh-ha is as powerful as her films . . . formidable . . . " --Village Voice " . . . its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." --Artpaper "Highly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." --Religious Studies Review Audio book narrated by Betty Miller. Produced by Speechki in 2021.

Second edition of Gloria Anzaldúa's major work, with a new critical introduction by Chicano Studies scholar and new reflections by Anzaldúa.

Contents The Mountain 1. Place Clearcut: Explaining the Distance Losing Home Clearcut: Brutes and Bumper Stickers Clearcut: End of the Line Clearcut: Casino 2. Bodies Freaks and Queers Reading Across the Grain Stones in My Heart, Stones in My Pockets An Excerpt from Exile and Pride By Eli Clare Draft Version: Please do not quote THE MOUNTAIN I: A Metaphor The mountain as metaphor looms large in the lives of marginalized people, people whose bones get crushed in the grind of capitalism, patriarchy, white supremacy. How many of us have struggled up the mountain, measured ourselves against the mountain, failed on the mountain, lived in the shadow of the mountain, hit our heads on glass ceilings, tried to climb the class ladder, lost the fight against assimilation, struggled our way toward that phantom called normality? We hear from the summit that the world is the best from up there. Hear that we are lazy, stupid, weak, ugly, that we live at the bottom precisely because we are those things. We decide to climb that mountain, or make a pact that our children will climb it. The climbing turns out to be unimaginably difficult. We are afraid; every time we look ahead we can find nothing remotely familiar or comfortable. We lose the trail. Our wheelchairs get stuck. We speak the wrong languages with the wrong accents, wear the wrong clothes, carry our bodies the wrong ways, ask the wrong questions, love the wrong people. And it's goddamn lonely up there on the mountain. We decide to stop climbing and build a new house right where we are. Or we decide to climb back down to the people we love where the food, the clothes, the dirt, the sidewalk, the steaming asphalt under our feet, our crutches all feel right. Or we find the path again, decide to continue climbing only to have the very people who told us how wonderful life is at the summit booby trap the trail. They burn the bridge over the impassable canyon. They redraw our topo maps so that we end up walking in circles. They send their goons-those working-class and poor people they employ as their official brutes-to push us over the edge. Maybe we get to the summit but p

The inspiration for the Netflix original series Mismatched! A New York Times bestseller A Time Best YA Book of All Time (2021) An NPR Best Book of 2017 A Buzzfeed Best YA Book of 2017 A Kirkus Reviews Best Teen Book of 2017 A School Library Journal Best Young Adult Book of 2017 A Bustle Best YA Novel of 2017 A PopSugar Best Young Adult Novel of 2017 A Book Riot Best Book of 2017 A Paste Magazine Best Young Adult Novel of 2017 "Utterly charming." --Mindy Kaling "Effervescent." --Chicago Tribune "Full of warm characters and sweet romance." --Entertainment Weekly "Get ready to fall in love with Dimple Shah and Rishi Patel." --HelloGiggles ​The rom-com everyone's talking about! Eleanor & Park meets Bollywood in this hilarious and heartfelt novel about two Indian-American teens whose parents conspire to arrange their marriage. Dimple Shah has it all figured out. With graduation behind her, she's more than ready for a break from her family, from Mamma's inexplicable obsession with her finding the "Ideal Indian Husband." Ugh. Dimple knows they must respect her principles on some level, though. If they truly believed she needed a husband right now, they wouldn't have paid for her to attend a summer program for aspiring web developers...right? Rishi Patel is a hopeless romantic. So when his parents tell him that his future wife will be attending the same summer program as him--wherein he'll have to woo her--he's totally on board. Because as silly as it sounds to most people in his life, Rishi wants to be arranged, believes in the power of tradition, stability, and being a part of something much bigger than himself. The Shahs and Patels didn't mean to start turning the wheels on this "suggested arrangement" so early in their children's lives, but when they noticed them both gravitate toward the same summer program, they figured, Why not? Dimple and Rishi may think they have each other figured out. But when opposites clash, love works hard to prove itself in the most unexpected ways.

From acclaimed author Patricia Hruby Powell comes the story of a landmark civil rights case, told in spare and gorgeous verse. In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.

Striking a perfect balance between heartfelt emotions and spot-on humor, this debut features a pop-culture enthusiast protagonist with an unforgettable voice sure to resonate with readers. Alice had her whole summer planned. Nonstop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting--working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating--no thank you, do not pass go, stick a fork in her, done. But then Alice meets Takumi and she can't stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!). When her blissful summer takes an unexpected turn and Takumi becomes her knight with a shiny library-employee badge (close enough), Alice has to decide if she's willing to risk their friendship for a love that might not be reciprocated--or understood. Claire Kann's debut novel Let's Talk About Love, chosen by readers like you for Macmillan's young adult imprint Swoon Reads, gracefully explores the struggle with emerging adulthood and the complicated line between friendship and what it might mean to be something more. Praise for Let's Talk About Love from the Swoon Reads community: "A sweet and beautiful journey about self-discovery and identity!" --Macy Filia, reader on SwoonReads.com "There aren't many novels that have asexual characters and it's something people need more of." --Alice, reader on SwoonReads.com "I want this on my shelf where I can admire it every day." --Kiara, reader on SwoonReads.com

Nevada is the darkly comedic story of Maria Griffiths, a young trans woman living in New York City and trying to stay true to her punk values while working retail. When she finds out her girlfriend has lied to her, the world she thought she’d carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.