In addition to the most important links below, there are a number of ever changing sites set up by varied American Indian theatre projects throughout the country.
“American Indian Community House,” http://www.aich.org/index2.php. The American Indian Community House (AICH) is a not-for-profit organization serving the health, social service, and cultural needs of Native Americans residing in New York City. The AICH Performing Arts Department promotes Native American performing artists and provides a performance space and audience for music, dance and drama, written, directed and produced or performed by indigenous artists.
“American Indian Film Institute,” http://www.aifisf.com/. The American Indian Film Institute (AIFI) is a non-profit media arts center founded in 1979 to foster understanding of the culture, traditions and issues of contemporary Native Americans.
“Yellow Bird Indian Dancers,” http://www.yellowbirdproductions.com/. The dance group presents a repertoire of authentic Apache, Southwest and Northern Plains dances ranging from preschool age to adult dancers. In addition to the dances, they provide professional stage production of their works including: storytellers, lecturers, flute players and native craft demonstrators.
“Project HOOP”, http://www.hoop.aisc.ucla.edu/about.htm. Project Hoop, “Honoring Our Orgins and Peoples” through Native American theater is a national, multi-disciplinary initiative to advance Native theater artistically, academically, and professionally.
Seven plays written and directed by Murray Mednick and performed by the L.A. Theatre Works. The seven plays include: “Pointing,” “The Shadow Ripens,” “Planet of the Spider People,” “Other Side Camp,” “Listening to Old Nana,” “The Sacred Dump,” “He Brings the Waterfall.”
Anthology of twelve plays spanning over thirty years and drawing tribal experiences of Cherokee, Choctaw, Kiowa, Navajo, Oneida, Otoe-Missouria, Rappahonack, and urban Indians. Includes the 1930s classic The Cherokee Night.
The playwright bases his plays on his own personal experiences and incorporates humor and explores Indian and White relations, ecology and identity.
The following bibliography lists reference material dealing with American Indian Theatre. Theatre is defined as that of the performing arts concerned with acting out stories in front of an audience using combinations of speech, gesture, music, dance, and sound. The following resources include material found in the Labriola National American Indian Data Center and the ASU Library.
A biography of an American Indian opera singer Bonnie Jo Hunt.
Native Playwrights’ Newsletter, Paul Rathbun, ed., Madison: NPN, 1993-1996. Addressing theinterest of Indigenous playwrights and theatre artists.
Theses and Dissertations
“The Development of Native American Theatre Companies in the Continental United States,” Sally Ann Heath. Doctor of Philosophy Thesis, University of Colorado, 1996. The study explores the emergence of Native American theatre and it examines the success, failures, and the present state of affairs of theatre companies.
Included are small manuscripts, informational brochures, museum publications, photographs (including slides), articles and poetry. To find ephemera related to American Indian Theatre, search the American Indian Index https://libguides.asu.edu/amerindianidx which is accessed from the Arizona State University Libraries home page under “Specialized Collections.” Type in searches such as: “theatre,” “plays,” “performing arts,” “powwow” and “drama.”
“The Canyon Records Collection,” contains 454 sound recordings (CD’s, LP’s, cassettes) of Native American Music published by Canyon Records of Phoenix, AZ. The items are held at the ASU Music Library and none of the items circulate outside of the library.
The ASU Library acknowledges the twenty-three Native Nations that have inhabited this land for centuries. Arizona State University's four campuses are located in the Salt River Valley on ancestral territories of Indigenous peoples, including the Akimel O’odham (Pima) and Pee Posh (Maricopa) Indian Communities, whose care and keeping of these lands allows us to be here today. ASU Library acknowledges the sovereignty of these nations and seeks to foster an environment of success and possibility for Native American students and patrons. We are advocates for the incorporation of Indigenous knowledge systems and research methodologies within contemporary library practice. ASU Library welcomes members of the Akimel O’odham and Pee Posh, and all Native nations to the Library.